Category Archives: Film Scoring

Streams

{if glimmers were beacons cast meandering}

[BINAURAL LISTENING VERSION: Larger screens and headphones necessary for optimum experience.] Music and Video Composed for Meditative, Miindful, and Prayerful Moments by Jason Matthew Malli. Fixed Media and Virtual Instruments Recorded and Mixed by Jason Matthew Malli Another video for the Immersive Mindfulness Project.

First in a Series


“Meadows” is the first of a series of electroacoustic music and video compositions intentionally produced for meditative, mindful, and prayerful moments to be experienced through concert or exhibition audiences, small group therapy, educational or corporate climate improvement, or individual personal practice. The series will feature a variety of captured moments from visually compelling scenes composed with minimal sound sets for the purpose of facilitating focus on breath and inward presence within a simple slice of time.


For me, dissonance demonstrates innate resilience. Most people cannot listen to anything discordant. If one looks up definitions for dissonance and discordant, they will find two meanings for each. Both are defined musically as tension, being harsh, or lacking harmony. Unfortunately, these words carry on the same meanings in the context of humanity’s inability to be together in peace and harmony.

Sometimes, whether it be industrial thrash metal or European serialism, listening to harsh music allows me to release my tension by embracing it like a child scribbling finger paint on a wall-sized canvas or thinking like a poet writing in a stream-of-consciousness modality. But music can also be passively dissonant as experienced when listening to very ancient motets composed in the middle ages. There is nothing like a Gesualdo madrigal resolution from a tense harmony melting the soul in your stomach from your auditory command center!

Allow yourself to embrace what you at first may perceive as clashing discordance. Breath with the flow of the voices. Stare into the movement. Become one with the pulse of the wind. Air knows no dissonance.

Prophets, Farfisas, and Dvořák, Oh My!

Sometimes one just needs a fun go-to project, something beneficial personally, but not necessarily Earth-shattering. Something I have been wanting to do for awhile is to re-orchestrate some of my favorite symphonic passages into the fabulous virtual instrument sounds of classic synthesizers like Prophets, Farfisas, Mini Moogs, and even some B3 on the side. So with a little music tech fun, I have started with the gorgeous slow movement from the New World Symphony. So when I need a little sonic therapy, I enter into the swirling realm of Arturia Classic Virtual instruments and just bathe in the sound sculpturing process. There are several other selections that come to mind by Sibelius, Mahler, Adorno, Gesualdo, Bach…. the possibilities are endless and may lead to some moving image scoring examples for my showreel. 27 days until summer!

Spatializing the Studio

Summer is here accompanying a plethora of recording projects featuring the scoring of Jochen Kunstler‘s film, Get Your Shit Together, Zeus. As inspiration hits full force, it is critical to have the studio ready for plugging in the laptop and having at it. Balancing creative endeavors such as these along with the Little League All -Star Baseball season, cantoring lessons, yard work, fife and drum corps parades, laundry, mindfulness, cooking – even thinking about thinking about planning teaching for next September . . . – one gets the idea. When there’s a moment of motivation, whether succinct or substantial, that coincides with isolation, it must be conquered as productive. Thus, the can must be ready to collect explosions of ideas, whimsically or deliberately.

A process that has worked very well for me over the years begins with the placement of several microphones around the space at various angles and distances from the performance stool. The mics are of course all different and are tracked individually and in as many as 20 to 30 combinations of stereo or mono with EQ, verb, and other FX ready to automate via nobs and sliders within an arms reach. This flexible set up was developed during preparations for surround sound fixed media compositions like “consubstantial.” Eight mics recording the same sound from eight different angles and eight different settings on the DAW maximizes potential decision making during editing for moving the audio around the performance space. Even works that are eventually rendered for stereo benefit from the timbre modulations resulting from this marriage between instrument and technology.

For these GYSTZ Sessions, I will be overdubbing myself as a virtual reed quartet of A Clarinet, Alto Saxophone, Tenor Saxophone, and Bass Clarinet. I hear this one’semble as a fluctuation of sonorities from church organ to jazziness to cerebral departures from both and everything else. I will also have the percussion ready to pop in at any moment – djembes, balafon, hand drums, rattles, bells, dumbek, to name a few. No doubt, this score will utilize electronic sounds and virtual instruments created in Reason, Reaktor, Ableton, Cubase, Pro Tools, and Logic; but that bank of real instruments will form the foundation and the necessary earthliness I am hearing for this film. The psychology of Crystal, the lead character, demands a complex and developing theme interspersed with pre-recorded Gospel tracks sung by two gentlemen. There are definite dreamscape notions formulating in my mind that may call for two guest singers, young female voices as undulating echoes from these featured guttural Gospel men.

As I embark upon the work, I hear a vastness of music that just may well expand beyond the needs of this film and result in an entity of its own inspired by this cool collaboration born from the VCFA community.

Self Quartet: Beginnings for Summer Film Scoring

FullSizeRender_2

This summer (it’s already pretty hot in Connecticut, so starting NOW), I am composing an original film score for the soon-to-be-screened, “Get Your Shit Together, Zeus,” by fellow VCFA community member, Jochen Künstler. This autumn, Jochen will complete his MFA in Film from Vermont College of Fine Arts, also home for the MFA in Music Composition program from which I am a proud alumnus. The images above represent a portion of my pre-composing as I sketch cues for this reed quartet combination of A Clarinet, Alto Saxophone, Tenor Saxophone, and Bass Clarinet. These timbres will provide a wide variety of colors and moods depicting the various sensibilities I am audiating-worship organ, bluesiness, jazz, Gospel, and aleatoric dreamscapes and abstractions derived to and fro, including certainly, sojourns of an electroacoustic nature. But one never knows where one’s path of process will take them. A very illuminating journey, for sure.